How To Get A Good Clean Guitar Tone

If y'all have bought a guitar amp or are thinking about upgrading your amp, this guide is for you.

This guide will show yous how to get the most out of your amp by showing y'all how to become an expert in your guitar amp's settings.

Desire to upgrade your practice amp to a big high-powered stack? Read this guide first

This guide is so important considering of something I see likewise oftentimes as a guitar teacher. I often meet students 'upgrading' their amps because they're non happy with the tone their current amp produces. It ordinarily happens like this:

1. The pupil buys a new amp and plays around with it for a couple of weeks. Eventually, they become frustrated because information technology's not producing the tones they want so they go to the guitar shop.
2. The salesperson tells them that their electric current amp isn't suitable for the style they want to play and they recommend something else.
3. The salesperson demos the amp and the student buys it because information technology matches the tone they're after.
4. After a few weeks, the student gets a bit frustrated because they're unhappy with how information technology sounds….

This has happened to quite a few of my students over the years. Before we dig into guitar amp settings and how to punch in a great tone on whatever guitar amp, let's look at what's the problem is and how you can avoid information technology:

People have different ideas on which amps are suitable for different styles

If you desire to play a sure style, people will start suggesting different guitar amps to adjust that style. While those suggestionsmight be helpful, what normally happens is it causes yous to doubt your ain amp choice (if you already have one).

And then if you have amp Ten and somebody tells you amp Y is great for the style you want to play, yous will commencement doubting amp Xeven if that amp is perfect for that style.

If you lot're not certain what type of guitar amp is right for you lot, read through my Guide on Types of Guitar Amps.

The salesperson at the guitar shop (or whatever other experienced guitarist) knows how to dial in skillful tones with almost any amp

One of my students bought an unsuitable amp (in my opinion) on the spot because the guitar salesperson dialed in a groovy tone at the shop. An experienced guitarist can make almost whatsoever amp audio great just like an advanced guitarist tin can make a cheap guitar sound far better than it is.

Then if you get to the guitar shop in search of an amp, be aware that information technology's very piece of cake for the salesperson to make one amp sound better than some other.

It'due south also worth mentioning that at that place are many tricks some salespeople volition use to make one amp audio superior to another. For example, having one amp slightly louder than some other amp can exist all it takes to make that person believe that the louder amp is superior. This is used often in the howdy-fi and home theater industry – to make a more expensive unit of measurement audio improve they simply enhance the book slightly.

Keep this in mind when you lot're comparing guitar amps – nonetheless-called 'audiophiles' tin can be easily tricked with the right conditions.

Blaming gear isn't the reply

Getting frustrated at your gear because you can't reproduce a tone you hear in a song is a common problem most beginners and intermediate guitarists feel.

I've heard of beginners ownership $2000+ amp stacks because they thought that buying high-priced gear will give them great tone. That's what the amp makers want y'all to believe! This guide volition steer you lot away from that line of thinking.

Guitar Amp Settings Presets (and why yous should ignore them)

One reason why I created this guide is that I saw how many websites list unlike guitar amp settings or presets. You will run across a lot of websites list guitar amp presets like:

Metal: Drive 10, Bass 10, Mid one, Treble 7, Vol 8

BLUES: Drive 3, Bass ii, Mid five, Treble ii, Vol 6

Rock: Bulldoze seven, Bass 5, Mid 7, Treble 7, Vol 7

The major trouble with guitar amp presets is that every guitar amp is different so the presets are useless. If you lined up 10 different guitar amps and ready them all with the exact same preset, each one would nonetheless sound completely unlike.

Read the comments on those websites and you will see countless people complaining that they followed the advice and information technology didn't give them the tone they wanted.

Even if you take the same amp as the person making the recommendations, your guitar and pedals volition change your results.

The goal of this guide is to teach you to employ your ears and figure out the right preset for any situation on your ain. If you follow the communication in this guide you will never need to look up another guitar amp settings preset over again.

The main lesson here is that guitar amp settings presets don't teach y'all how to utilize your guitar amp or how to dial in good tones.

Guitar Amp Basics

Let's get-go by getting a general feel for the typical controls on guitar amps. The 3 examples beneath are very different from each other, only you volition notice some similarities in the controls.

There are countless other amps out in that location with different controls, and then the three beneath will give you lot a skillful idea of what to expect.

The Fender Mustang I shown above is a digital modeling amp which is why the section on the right of the above photograph is so dissimilar from traditional guitar amp controls. A lot of modern philharmonic amps have some effects congenital-in and many give the choice to save different presets.

Older philharmonic amps may exist limited to reverb as the only onboard effect. Hither are the principal controls worth mentioning:

• Gain knob
• Volume knob
• Treble & Bass knobs
• Main knob
• Preset knob with LED indicators
• Modulation & Filibuster/Reverb knobs

This amp gives a wide range of aqueduct options and models different types of amps which is condign more and more common with combo amps.

The Marshall MG15DFX above is an example of a small combo amp with a few built-in furnishings. It'southward also simpler than the Mustang I shown earlier. Here are the main controls worth mentioning:

• Volume knob under 'Clean' channel
• Proceeds & Book knob under 'Overdrive' channel with an 'OD select' button
• Bass, Contour & Treble knobs
• Preset/Adjust & FX level knobs for digital effects

The beneath amp is a Peavey 6505+ caput unit of measurement. While it might look daunting compared to the above examples, when you look closer it becomes clear that this amp is actually pretty bones.

The unit of measurement has 2 channels with independent controls. Then while it looks like a lot of knobs, information technology'southward only because each channel has dedicated controls rather than main controls. This ways you can set different EQ settings for the 'Rhythm' or 'Lead' channels. Hither are the main controls:

• Pre & Mail service gain knobs (i set for each channel)
• Low, Mid & High EQ knobs (ane ready for each channel)
• Resonance & Presence knobs (one set up for each channel)

When we compare the three amps in a higher place, nosotros tin can meet that they all offer:

• Proceeds options (either one or two gain knobs per aqueduct)
• EQ options (some combination of Bass, Mid, Treble)
• Channel and principal volume options

That's what this guide volition focus on and by the end, y'all volition be able to tweak these controls on any amp to produce the tone you lot want. Your amp may have more or fewer controls than the examples higher up, simply the main features to pay attention to is gain, EQ, and volume.

Call up of those controls as the cadre of your tone. Other features such as inbuilt effects are something yous consider later on.

Getting a Good Clean Tone

Learning how to become a good clean tone is an of import starting step

Let'due south kickoff with the most bones affair you tin do with your guitar amp: getting a clean tone. This is a practiced starting point every bit it will go you comfy with how the gain, EQ, and volume controls all contribute to your overall tone. Information technology volition also emphasize the importance of pickup selection.

1. Select your clean channel or plough the gain downwardly if y'all don't have multiple channels

Many modern amps will have multiple channels so select a clean channel to get yous started. If your amp has multiple clean channels (eg: a digital modelling amp with a few unlike clean options), pick any for now.

two. Turn off all amp effects and effect pedals

At this point, all you want is a very clean and dry out sound without whatever effects. Turn off whatsoever compressors, boosters, filibuster, reverb or anything else that might be on. When you play your guitar it should sound dry without any hint of effects or whatever grit or distortion.

This is of import considering it gets yous thinking well-nigh the underlying tone before yous utilise whatsoever effects. Quite often people kickoff with effects (eg: filibuster) on and it distracts them from first setting up a good clean tone. So start with everything else off.

On a lot of digital amps, the clean setting may be a preset with some effects born. So even if you have an option for clean, double check to make sure all the effects are turned off.

iii. Bring the bass, mid & treble knobs all to 12 o'clock

As explained earlier, every amp is unlike, but with about amps this should be a neutral setting for EQ. Using this as your starting bespeak will requite you a feel for your amp's natural tone before you showtime tweaking it. Set your amp's EQ knobs to look similar to below:

Starting with your EQ every bit apartment as possible allows yous to get a good feel for the natural sound of your amp. Y'all can always tweak the EQ afterward on, so even if you don't like what you hear now, it's practiced to become a basic starting point.

four. Proceed the gain fairly low and adjust the volume to a suitable level

With some amps, if you lot roll the gain knob to nothing it cuts the signal. Proceed the proceeds low enough that yous tin still hear your guitar and adjust the book up or down to bring it to a comfortable level.

When yous hit a chord hard you lot shouldn't hear any type of distortion at all and it should dice off naturally. If you exercise hear a bit of grit or breakdown in your tone, back the proceeds off.

You lot probably won't like the sound of a very dry amp, but don't worry. This is just to requite you a baseline. You lot will be able to roll the gain back in after to find the tone you're later.

5. Jam for a while to get a feel for the tone

Spend at least a minute jamming and so change to a different pickup. Spend at least a infinitesimal on each pickup combination to get a feel for how each pickup sounds. Don't worry if the tone sounds bad as you volition soon tweak it to your liking.

6. Think nigh what you like about the tone and what you don't like about it

This is an important stride and so don't skip ahead to making adjustments yet! Learning how to think critically about your tone before yous make adjustments is how you volition become a expert tone in the cease. Randomly tweaking knobs or adding in stompboxes won't teach you to control your tone.

At first, it will be hard to describe what y'all like/dislike nigh your tone. Here are some basic examples of what you might exist thinking:

• It sounds as well muddy
• Information technology sounds thin and hollow
• I'thousand getting a twangy sound
• I like how crystal clear it sounds
• It produces a weird boomy sound when I play chords

Over fourth dimension you lot will exist able to become more specific about what you similar/dislike about your tone then spend a few minutes now trying to describe your tone.

7. Start making modest adjustments to fix any problems y'all hear

The previous step is then important considering you lot demand to offset know what you don't like well-nigh your tone before y'all make whatever changes. Tweaking knobs without a specific goal won't help you get a good tone.

At first, you lot may non know how to ready a problem such as 'information technology sounds thin and hollow', just this experimenting stage will teach y'all how each knob affects your tone. And so while I'd like to give you a recipe for fixing whatever possible problems, you lot won't larn much from it.

Hither's an example of the blazon of experimenting to go through when trying to prepare a problem or brand an improvement:

Let'south say you experience your tone is thin and hollow.

1. Start by turning the bass knob upwards and jam for a flake with each pickup. Did that fix the problem? The chances are it will still sound thin but at present has a more than boomy sound. Plough the bass knob back.
2. Turn the mid knob up. Did that prepare the problem? This time information technology will probably sound muddy as if the amp was made out of cardboard. Turn the mid knob back.
3. Turn the treble knob up. Did that fix the problem? It's like information technology will sound even thinner but now accept a bright or shimmering sound. Turn the treble knob dorsum.
4. Plow the gain up and adjust the volume down to compensate. Did that prepare the trouble? Information technology's likely that it fills out your tone merely you even so feel it's a bit hollow. If this fabricated an improvement, yous would and then continue by either trying to enhance the gain some more or keep the change and get back to the EQ knobs to farther improve the results.

So for this instance, you lot might observe that turning the gain up and adjusting the bass and mid knobs solves the problem.

Think of the above instance as a mode to effigy out how to overcome any problems in your tone. Go through each setting one at a time to figure out which setting helps solve the problem. There isn't a rulebook that gives perfect solutions to whatsoever problem so that's why this process is important to learn.

Once you solve any issue or problem you hear in your tone, you tin can shift your focus to anything else that doesn't sound quite correct. The main lesson here is that the only way you will exist able to cease upwardly with a great tone is if you have the time to larn how each knob impacts your overall tone.

8. Add in any effects you lot want after y'all're happy with your tone

A proficient filibuster tin can heighten your make clean tone

Only after you have tweaked your way to a tone you're happy with should y'all fifty-fifty consider adding any other furnishings or pedals into the mix. The reason is that you want your other pedals to raise your tone – non to try and fix a crappy tone. A lot of people become this the wrong manner around and start ownership pedals to fix a bad tone.

Don't buy more gear because you're unhappy with your tone. Get your clean tone into a good position then you tin can look at how your other pedals might enhance your tone.

When you lot do add together any effects in, start with the mix of the effect low and slowly raise it until you find the right level. It might audio good to creepo the effect up, just in most situations having the effect a bit lower in the mix ends up with meliorate results.

If your amp doesn't have inbuilt effects or you prefer to utilise pedals, here are a couple of guides to help yous discover suitable pedals for your clean tone:

• Best Delay Pedals – delay is a great manner to give your clean tone a fuller sound
• Best Reverb Pedals – while not as popular as delay, reverb can brand your make clean tone feel more than lively – especially at home
• All-time Compressor Pedals – you'll be surprised past how much a compressor pedal tin can enhance your clean tone

nine. Try coming upward with dissimilar types of clean tones

Heed to a few unlike songs or guitarists using clean tones and you will hear a broad range of unlike sounds. Some guitarists like a rich tone full of sustain to the signal where it almost sounds like overdrive. Others like a glassy-similar tone while some prefer a bit of dust in their clean tone to requite it some edge.

Try to experiment with your clean tone to become a feel for the overall range your amp has to offer. The more than distinct clean tones you can produce with your amp, the more options you volition have subsequently on so it's worth the time spent experimenting.

Here are a few examples of songs with clean tones you might desire to try replicating:

• Sweet Abode Alabama – Lynyrd Skynyrd (a very twangy clean so make certain yous consider your pickups)
• 1 – Metallica (listen to the departure in tone between the rhythm and pb tones in the intro and endeavour to replicate both)
• Royal Pelting – Prince (commencement try to replicate the silky clean tone before you add together any effects)
• Little Wing – Stevie Ray Vaughan (listen to the slight grit in the tone when picked hard. Besides listen to the Hendrix version for a very different tone)

The more dissimilar make clean tones yous can produce, the more flexibility you volition have when writing your ain music or trying to replicate somebody else's tone. So listen out for any clean guitar and try to replicate it with your amp.

Using Pedals or Your Amp For Your Proceeds

A good overdrive/distortion pedal can be a keen alternative to using your amp's bulldoze

Now that you have experimented with getting a good clean tone and you have a good feel for your amp's controls, you can turn to a distorted/overdriven tone.

In that location are two main ways you can become a baloney/overdrive tone: utilise a pedal or use your amp. The right choice for y'all depends on what gear y'all have available and what sounds you lot want to produce. Quite often a person gets frustrated with their amp considering they're unhappy with the distorted tone they're trying to produce.

Experimenting with using pedals or your amp (or a combination of both) to produce your distorted/overdriven tone is a good starting indicate when getting the most out of your amp.

Some guitarists are adamant that your bulldoze tone should come from your amp while other guitarists are just as insistent that the best drive tones come from pedals. I propose that instead of limiting yourself to one manner or another, go along your listen open to all options.

One day you might find a pedal or amp that delivers a great tone so don't restrict yourself for now.

In my Guitar Furnishings Course, yous tin hear examples of different ways to create a drive tone. You'll be able to compare an overdrive from an amp vs a pedal, and you lot'll larn how to 'stack' your drives for some incredible tones.

Getting a Skillful Drive Tone

Let's go through how to think about drive tones and how to set up a good tone on your amp.

1. Think well-nigh what you want out of your tone

The first matter to call up about earlier you start setting up a drive tone is what you want to apply the tone for. A lot of guitarists don't recollect about this and end upward with a sub-par tone every bit a result. The drive tone you create should lucifer what y'all will play.

For example, if you're playing rhythm guitar in a ring with ii guitarists, turning up the proceeds too loftier or adding in effects like filibuster tin can hands ruin your band'south overall audio. People will struggle to hear you in the launder of racket.

While your rhythm tone might sound great on your own, things change when y'all're playing in a band. On the other hand, a high gain tone with delay tin be perfectly suitable when playing solos or lead lines. So remember that the bulldoze tone you use must lucifer your state of affairs.

Here are a couple bones examples of what type of drive tone works best for unlike things yous might play:

• Metal rhythm riffs: using a fairly depression proceeds volition bring the clarity out in your riffs. Also much gain might audio practiced on your own in the chamber, simply live or on recordings it can plow your tone into a mess. Lower gain gives you more definition to your riffs.
• Strumming power chords: a adequately depression gain gives your chords more than dial. Too low gain will thin out your tone and make the chords audio less powerful.
• Rock/metal solos and lead lines: college gain volition give you more sustain and help with whatsoever compression harmonics you want to add in. Adding in furnishings such every bit delay can requite your tone a fuller sound.
• Blues lead or rhythm: your drive plays a big role in the feel and graphic symbol of your playing. A warm overdrive that slightly breaks up your clean tone can give y'all plenty of inspiration. A highly saturated tone works when you want more sustain – just use your book knob to roll the bulldoze back and clean up your tone every bit needed (like to how Hendrix achieved his clean tone while playing live).

The outset three examples above could all exist found in the i song, so it'due south of import to remember that the tone you lot create should match what you're playing. A song might start off with an intricate riff needing definition, and then information technology might movement into a ability chord based verse needing less gain.

When information technology comes time for the solo you lot might discover that some extra gain and delay allows your solo to smoothen.

While you could become away with having i drive tone for everything, you're not going to be getting the best out of your gear. The all-time tone will modify to friction match what you're playing.

2. Start with an appropriate pickup

Information technology'south hard to get a sharp and punchy rhythm tone when you're using a single-coil neck pickup. Information technology'southward simply as difficult to get a smooth and thick lead tone when y'all're using a high power humbucker on the bridge. Then commencement off by choosing a pickup setting that matches the type of tone you lot will need. If you're unsure which pickup should work best, allow your ears decide.

If you're an experienced thespian this might sound obvious, but it'south worth remembering that you should regularly switch between pickups when tweaking your amp'due south settings. Accept a mind to how your different pickups bear on your drive tone and which pickups are the best fit for the drive you come upwardly with.

3. Choose a suitable amp model (for mod digital modelling amps)

Your amp may have a lot of models to cull from. Take the time to learn how each i sounds

Many modern amps volition give you a range of different amp models to choose from. This tin frequently brand finding the right tone complicated as you're always wondering what the other amp models sound like.

If you're not already very familiar with the different models your amp offers, take some time to go used to each i. Spend a few minutes with each model and jam with it. Get a feel for what style of music the model would accommodate and whether you like the tone or not.

Afterwards doing this you will probably find that yous similar a couple of the models and dislike the rest.

Find the model that is the closest to the tone you're after without having to tweak annihilation. It's possible to tweak other amp models to get the tone you lot're after, just start off with the basic amp model and attempt to detect the closest one.

Once you've found the amp model that gets yous close to the tone you're later on, you lot tin can move to the side by side stride.

4. Gear up the EQ flat and plough off whatsoever effects

Merely like with your make clean tone, the goal is to kickoff off with a very apartment EQ curve and so you get a experience for the amp's natural sound. You probably won't similar how it initially sounds, but it's non a expert idea to skip this step.

For now, go out the gain fairly low. We will adjust the gain later so don't worry if it isn't at the right level. As long equally your EQ is flat and all your effects are turned off, motion on to the next step.

5. Spend a few minutes jamming with this tone

Call up that you desire to match your tone to a specific situation (eg: chord strumming, atomic number 82, riffs, etc.). And then brand sure you only play the type of stuff you want to employ this bulldoze setting for. That means don't jam with both lead and rhythm parts because yous will want dissimilar things from your tone for those situations.

If you want to get a good atomic number 82 tone, play atomic number 82. If you want to set a good rhythm tone, play the blazon of rhythm you want to play.

Spend some time jamming with this setting and attempt to think what you like or dislike about the tone. Does it sound dingy? Is it thin? Does it have too much of a loftier-finish bite? Think about what yous would like to change about the tone for a while earlier you lot make whatever tweaks.

six. Showtime fixing whatsoever problems you hear in your tone

Just similar with your clean tone, you should plow one knob at a time to learn how information technology affects your tone. Turning the bass knob up or downwards with a drive setting can sound completely dissimilar from turning it upward or downward with a clean setting. And then even if you followed the above steps with your clean tone, you all the same demand to get through the steps with your drive tone to larn how your EQ affects your tone.

Let'south say your tone sounds too boomy when playing palm-muted riffs. Here is an example of how you should endeavour to fix the problem:

1. Start past checking to make sure the trouble isn't with your pickups. Jam for a while with each pickup and take annotation whether the boomy sound changes or not. Continue through the steps with the pickup that gives you the to the lowest degree boomy sound.
2. Turn the bass knob down and jam for a scrap. Did that fix the problem? It probably did, but simply for this exercise, turn the bass knob back up and then you can hear how the other settings might besides modify your tone.
3. Plough the mid knob downward. Did that set the problem? Depending on your amp you might hear slightly less boom merely the tone volition probably sound slightly hollow. Turn the mid knob dorsum.
4. Turn the treble knob up. Did that fix the problem? Yous will probably notwithstanding take the exact same boomy sound, merely now your riffs accept a 'sharper' or brighter audio. Turn the treble knob dorsum.
5. Turn the proceeds down and adjust the volume upwards to compensate. Did that prepare the problem? It might have partially stock-still your problem depending on your amp.
6. Think about how each knob affected your tone. If whatever of the changes y'all made improved your tone, make that change now. In this instance, information technology probably ways you lot would lower the bass knob, slightly raise the high knob and adjust the gain downwards slightly.
7. Once you brand those changes, jam with the result and think about what further tweaks you might desire to make. Repeat the steps until you find the setting that doesn't need any more tweaks.

Remember that every amp is different then if you lot have a problem with your tone the only style you will solve it is to get through the steps above.

7. Add in whatever furnishings you want to use

A compressor can be an like shooting fish in a barrel way to requite your lead tone more sustain and width

Depending on what you desire to play, you lot might add in effects such as filibuster or a compressor, or y'all might utilise modulation effects such every bit a phaser or chorus. Adjust the outcome's settings to conform your tone. You lot might too demand to make slight tweaks to your amp's settings after you add in whatever pedals, but they should actually be only small tweaks.

8. Conform your gain to the right level

Once you have added in any effects, you tin now adapt the gain to find the ideal level. Kickoff with the gain turned right downwardly and slightly plow it upward a lilliputian fleck at a time while jamming. Every time you plow the gain up, think to yourself whether the change improved your tone or not.

You volition observe that at a certain signal adding more than gain doesn't better your tone. When you accomplish that point, showtime slightly rolling off the gain and ask yourself whether it improves the tone. Y'all volition probably observe that you tin roll a fair bit of gain off before information technology starts feeling similar you're taking abroad from your tone.

Your ideal gain level is somewhere between those two points. Information technology's not an exact science so leave your gain at a level where you feel happy with the result.

9. Write downwards the settings you used for this drive

Writing down the verbal settings yous use along with whatsoever notes such every bit what you like about the tone or what type of playing it suits is a great way to learn how to get the most out of your gear.

Every time yous come with a new drive tone, write downwards notes and then you can reproduce information technology. In a year'southward time, you might have 20 unique drive tones and verbal settings to reproduce them as needed. Or if you tape a song with a certain tone, you lot now accept a way to reproduce that tone exactly.

Non only is this a practiced way of keeping a record of the tones yous come up with, but information technology helps you acquire to get the most out of your amp. I've seen a lot of students struggle with their tone because they don't learn from their experiences.

Written notes assist you retrieve how and why different settings sound skilful or bad.

10. Try to replicate different bulldoze sounds from different guitarists

Go through your music collection and pick out five completely different drive sounds. Try to find a mix of both rhythm and pb tones and in dissimilar styles if you can. The goal here is to see how wide you tin push your amp.

Can you lot get a solid rhythm metal tone, a warm blues tone, a high sustain lead tone or a vintage rock tone all with your amp? If yous take the time to experiment with your amp, you'll be surprised how many different tones you tin can achieve – especially if you take a modelling amp.

Fifty-fifty if you simply like to play 1 way of music, it's however worth trying to come upward with different tones. Every time you try and emulate a different tone, you learn how your amp works. And so when y'all go back to your original tone, yous volition find you lot tin can make further improvements to it. It's worth the effort.

Become More than From Your Amp

If you spend time applying the advice in this guide, y'all will learn how to get the most out of your amp. Don't look to blitz through the above steps in one case and go an expert on your amp's tone. It doesn't work that way. Your ears need time to learn how your amp's EQ knobs affect your tone or how much proceeds is the platonic amount.

Exercise getting to know your amp just like you would practice a song. The more time you spend slowly going through the above steps, the better your tone will become.

Guitar Furnishings Course

If you lot use any guitar pedals or are thinking of adding effects to your rig, check out my Guitar Effects Form. The course gives a consummate overview of the most mutual types of guitar effects, how they work and how to get the all-time sound out of them.

The more you understand guitar furnishings, the easier it is to use them to craft a ameliorate tone. The guitar effects course will cover everything you lot need to get the most out of whatever pedals you ain.

Other Useful Guides

There's a lot more you can do to accomplish a proficient tone with your amp. Here are a few guides to assistance you get more out of your amp:

• 7 Tips for a Slap-up Guitar Amp Tone
• Can Yous Use a Guitar Amp as a Speaker?
• How to Play Electrical Guitar Without an Amp
• Dissimilar Types of Guitar Amps Explained
• Best Battery Powered Mini Portable Guitar Amps
• How to utilize the 4 Cable Method

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Summary

Article Name

Ultimate Guide to Guitar Amp Settings

Description

Looking for guitar amp settings for a manner of music or specific tone? Let's do one meliorate and acquire how to get the about out of your amp by ear.

Author

Aaron Matthies

Source: https://guitargearfinder.com/guides/ultimate-guide-to-guitar-amp-settings/

Posted by: oharapereve.blogspot.com

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